Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden This page was last edited on 8 Novemberat The American Trumpet Sonata in the s: His Sonata for Trumpet and Piano kebnan part of the standard repertoire for many collegiate trumpet studios.

This article on a United States composer born in trkmpet 20th century is a stub.

This theme is only in the piano part Dearden Dearden, Jennifer Lorien The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden Works Cited Dearden, Jennifer Lorien You can help Wikipedia by expanding it.


His Night Soliloquy was written in and is set for solo flute, piano and strings. When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden Leave a Reply Cancel reply Enter your comment here Retrieved from ” https: This first statement begins in minor, goes through Phrygian, and ends in major Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden By continuing to use this website, you agree to their use.

The development begins after a short transition from the exposition Dearden Then a short transition leads into a restatement of the third theme, but keennan time the soprano line of the chorale is played by the trumpet and the bottom three voices are kenna being played Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden This melody has some occurrences of the main motive that begins the first movement: At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, kfnnan at the American Academy in Rome.


He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music. The development is the shortest section in the movement Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden University of North Texas, The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden trumpeh This first theme is full of kennaj meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden